In happier times: Pancho and Jay (pic courtesy of Jim's Loire)

Jay Miller is out at Wine Advocate.  Claiming innocence in a payola scandal that has rifled through the rolling hills of Spain and the wine community as a whole, Mr. Miller has stepped down from his role as editor of Spain, South America, and the Pacific Northwest.  It’s a fascinating story of claims of strong-arm tactics, little-known-wine-regions looking to ascend to the world stage and the power of the blogosphere.

Englishman/blogger/flame shirt-wearing/wine sleuth Jim Budd (pic courtesy of blog.winetravelguides.com/)

The story in a nutshell?  A string of emails released by blogger Jim Budd of Jim’s Loire, supposedly blew open the doors on some of the behind-the-scenes negotiations between Pancho Campo and the D.O. Vinos de Madrid to arrange for Jay Miller, internationally acclaimed wine critic, to stop in and taste some wines in the hope he’ll shine his big old spotlight on some of Spain’s newest vino talent.  Such passive-aggressive, near-thuggish comments were used to sell the deal as “Private visits off the set agenda, as this would be, rarely take place, and not for a price below 40,000 euros. The fact that Jay has agreed to stay 2 days more, and for half the usual price, is a miracle and an opportunity that Madrid will find it difficult to have again.”

There’s big money involved–to the tune of € 20000 ($25,980.77)–so these allegations aren’t simply over peanuts.  Wine Advocate is one of the more respected chapels of wine writing and this threatens its principles to the core.  This is not likely to go away any time soon…

A number of wine bloggers picked up on the story right quick and now its shot straight up the media ladder.  As a beverage writer/blogger, myself, I’m stoked to see the community ignited by a passion to get to the truth behind the accusations but it’s become a white hot pile-on.  Are the accusations overblown? –“Wait, Miss Abigail, now that you have our attention, WHAT did you see Mr. Proctor do?”  In fact, I’ve been a little surprised by all the attention the Wine Advocate scandal has been getting lately.  I guess it makes sense in the grand scheme of celebrity hierarchy, though: we love to build them up, and then we love even more to tear them down.  And if the Advocate is going to sit on the catbird seat of wine criticism, then they’re going to have to expect to be under the microscope…especially in today’s age of information saturation.

A round-up of just a few of the internet articles dealing with the scandal:

You want more?  Simply google: “Jay Miller Scandal” and it’s on.  And so, even in the world of rarified wine criticism, we get to see what happens when the media blows up in a maelstrom of drama.  We’ll see how it all pans out…

Will a nugget of gold await Jay Miller?  Or will he be washed away in the tailings of time?  Stay tuned for next week’s episode of “Media Rush: Wine Scandal!”

Jay Miller (courtesy of 1winedude.com)

Pic by Joshua Bright for the article, "Raw Whiskey Finds New Craftsmen and Enthusiasts" NY Times, 5/4/10

I have to admit, I don’t understand white whiskey.  As someone who oversees a bar program, I find myself confused as to how it fits into the mix.  Is it a sipping spirit?  Can it stand on its own?  Or is it simply something bound for a cocktail and that’s the end of it?

To me, white whiskey seems like an incomplete product.  Like a piece of white bread slathered with peanut butter and thrown into a Glad sandwich bag before your mom had time to jelly up the other slice.  You sit down, eagerly open your lunch bag and wonder, “Mom, what the fuck?  Half a sandwich?  And only peanut butter?   What am I supposed to do with this?  Aargh.  Hey, Timmy, you want to swap that celery spear for a peanut butter schmear?  No?!  Well, fuck you too!”

White Dog from House Spirits (pic courtesy of ThereWillBeBourbon.net)

This is strange to me.  Just yesteryear, raw whiskey (also known as “White Whiskey” or “White Dog”) was the hottest new thing the spirits world had seen.  Everywhere it seemed to pop up.  Small-batch distillers like Tuthilltown, Death’s Door, Buffalo Trace and House Spirits all seemed to be rushing to get them on the market.  Robert Simonson even did an ode to them in the NY Times.  It was on.  The fad begins!  Line up, junior, and get your dose of moonshine!

The thing is, though, no one quite knew what to make of it.  It’s basically an unaged Bourbon.  Seeing no oak–or in most cases, something ridiculous like two hours of oaking (some strange governmental requirement)–it is a colorless spirit like gin or vodka.  But on the nose, its something unique.  I’ve tried those that smell of fresh baked corn (Finger Lakes’ Glen Thunder) or like juicy fruit gum (House Spirits’ White Dog).  The thing is, while I can appreciate the cleanness, the pureness, the distiller’s art laid bare, I’m not drawn to them.  Is it just me?  Am I missing something?  There’s something incomplete, like a half-painted portrait that the artist hadn’t quite finished before the finishing bell required he present it to the public.

I’ve seen this confusion play out over the last couple of years.  While there are a number of hardcore spirits geeks out there whose ears perk up when they see you have one on the spirits list, who is ordering this stuff at the bar?  I know if I was offered a Single Malt Scotch, a Small Batch Bourbon, an Aged Rum or a two-ounce pour of raw whiskey, I sure as hell ain’t picking the clear stuff…

I’ve expressed this confusion to my sales reps or the brand ambassadors from the distilleries, themselves.  “I’m a little confused by it,” I say.  To which they inevitably thrust a page of twenty odd cocktails to be made with it.  But, you mean its only for cocktails?  “Well, no, but it finds nice expression that way.”  So, its incomplete then?  This doesn’t usually go over well…no salesman or saleswoman wants to be told their wares are incomplete.

So, I remain confused.  I think a spirit should stand on its own.  Sure, you can make a martini or a manhattan with your vodka, gin or whiskey, but essentially, I want to taste that spirit first and foremost.  Is this something we want to, no, yearn to taste on its own?  What am I missing?

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After months of being on allocation, six bottles of Cantillon Fou’ Foune finally arrived today at Hearth.  I might as well just stash them deep in the recesses of the beer room under the East Village for my own personal sipping.  Maybe, just maybe, I’ll decide to let them see the light of day and share them with the world…

If you’re even questioning the rareness, the uniqueness, the downright life-changing power of this brewery, then you ain’t seen THIS.

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St. Nicholas de Bourgueil (100% Cabernet Franc), La Mine, Yannick Amarault, 2008, Loire Valley

Southampton Publick House, Vic (antique porter aged in oak), New York

Chassagne-Montrachet Rouge (100% Pinot Noir), Phillipe Colin, 2008, Côte de Beaune

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B.R. Rolya, my rep from Shelton Brothers Importers, stopped by Hearth today with a cornucopia of new beers for me to try for the winter season.  Hot damn, on days like this when everything that hits my palate snaps me to attention, I’m reminded of three things:

1) I love beer.
2) There is a huge treasure trove of beers out there to explore the world over.
3) I want to be Michael Jackson (not that one, silly) and make a life out of traveling and tasting.

That chick (or stud) you’ve been eyeing at the office won’t stand a chance if you show up to the holiday party with one of these in hand (from left to right):

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First Friday night in the new apartment.  Still surrounded by a sea of boxes but after a long work week and late nights of cobbling together furniture, it’s time to put the dogs up and kick it Repasado style.  ¡Salud!

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One of our Russian movers looks exactly like Flea. When he said he didn’t know who that is, I showed him this pic. Which he liked very much.

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After 6 1/2 years at the tall grey building on the corner across from C Town, tomorrow morning we move to a bigger stable.  Goodbye 32-06; you’ve been an awesome place to hang the hat. 
Here’s to hoppier beers and greener pastures ahead…

The “Lux Cider,” by Dean Hurst of Sidebern’s (Tampa, FL)

Yesterday, on a fine November day in Brooklyn— as the temperature soared to nearly 70 degrees and our sun-deprived flesh once again met it’s warm rays— twelve competitors stepped behind the bar of the Clover Club to do battle.

Brandishing their Sherry-filled libation armaments, they let loose for a panel of esteemed judges and a crowd of industry spirit-hounds in a frenzy of jiggering, shaking and stirring.  Culled from dozens of submissions from around the country, these twelve talented mixologists were selected to vie for the title of Winner of the 2011 Vinos de Jerez Cocktail Competition and an all-expense paid trip to Jerez—not to mention, bragging rights for life and a fleet of trucks filled with Spanish olives.

Each bartender was required to present their cocktail to the judging panel then return to the backstage area where they would batch it out for the crowd of onlookers. The panel of esteemed judges was composed of the following:

  • Dale DeGroff, King Cocktail/Author
  • David Wondrich, Author/Historian
  • Julie Reiner, Proprietor, Flatiron Lounge, Lani Kai, Clover Club
  • Jacques Bezuidenhout, Winner, 2005 Vinos de Jerez Cocktail Competition
  • Andy Seymour, Sherry Ambassador, aka wine geek
  • Steven Olson, aka wine geek

These were the valiant warriors who traveled from near and far to present their concoction to the panel…and the world:

  • Reza Esmaili, Ananas Consulting, San Francisco, CA – “España en Emerica,” Pedro Ximénez
  • Brad Farran, Clover Club, Brooklyn, NY – “Midnight to Six,” Palo Cortado
  • Mike Henderson, Colt & Gray, Denver, CO – “The Spaniard,” Fino
  • Brendan Dorr, B&O American Brasserie, Baltimore, MD – “The Cádizian,” Oloroso Dulce
  • Dean Hurst, Sidebern’s, Tampa, FL – “Lux Cider,” Dry Amontillado
  • Ted Kilgore, Taste by Niche, St. Louis, MO – “El Maestro,” Oloroso
  • Franky Marshall, Clover Club, Brooklyn, NY – “Mas Que Ayer (More Than Yesterday,)” Dry Amontillado
  • Lucas Paya, ThinkFoodGroup (The Bazaar, LA) – “Spanish Golden Ale,” Amontillado
  • Stephanie Schneider, Huckleberry Bar, Brooklyn, NY – “Perfect Lepanto,” Moscatel
  • Kelley Slagle, Terroir Tribeca, New York, NY – “Cherry Cocktail,” Fino, Amontillado, Palo Cortado, Oloroso & Pedro Ximénez
  • Carlo Splendorini, Michael Mina Restaurants, San Francisco, CA – “Ponente,” Oloroso
  • Owen Thomson, ThinkFoodGroup (Café Atlantico, DC) – “Highland Games,” Pedro Ximénez

And the gladiator left standing to take home the prize?  Brendan Dorr of B&O American Brasserie in Baltimore, MD

Congrats, fine sir, and may the gates of Jerez open for you with the gusto shown only to that of visiting royalty.

Kelley Slagle threads her charm needle through the eye of the judging panel

 

 

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Oh hell yeah.

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Our apartment is filled to the brim with boxes of our belongings as we prepare to move out for bigger digs down the block.  Got an organic chicken roasting in the oven and some cauliflower and potatoes on deck.  What better time than now to crack some damn bubbly?

Based in the North Fork of Long Island, Sparkling Pointe is the only producer in Long Island specifically producing sparkling wines.  And right about now, their Cuvée Carnaval is hitting the spot.

Vernazza, Italy

Just two weeks ago, I wrote about the mesmerizing hike along the cliff that connects the towns of Monterrosso and Vernazza in Italy’s Cinque Terre.  Yesterday, I froze as I read the disturbing news on Rick Steves’ website about the natural disaster that befell the area last week:

“…with a freakishly intense rainstorm — like a misplaced monsoon — torrents of water funneled from the surrounding mountains into the town carrying rampaging tons of mud and debris. That narrow street became a riverbed again, and Vernazza met a fate almost similar to Pompeii: the entire ground-floor of the town was buried…I get this ghastly feeling that these are photos of a crime scene…and that nature has murdered my friend”.  -Rick Steves

Certainly one of the highlights of our recent European adventure, the five towns of the Cinque Terre are positioned on the precipice of danger.  It’s humanity on the edge; a delicate balance that teeters between man and nature.  It’s what makes the area so unique and so downright, mind-bogglingly beautiful.  I was stunned to see the devastation.

The videos below were shot on the afternoon of October 25th, 2011

httpvhd://youtu.be/rPtVoqCUDS0
Vehicles being washed out to sea. (59 seconds)

httpvhd://youtu.be/wVtGHvg6X1A
The flood entering Vernazza’s harbor. (44 seconds)

httpvhd://youtu.be/3GgnXMpMZw8
Floods raging through Monterrosso. (17 seconds)

Also below is a snippet from Cultural Comments, a blog written by a local woman who survived the ordeal and posted pictures and tales of her experience.

“And the rain kept coming down…until the unthinkable happened. Around 3pm, the mountain above gave way and like a dirt tsunami, the earth plowed down, sweeping up everything in its path, pushing around the corner in a rush of flowing water, rocks, mud and cars. Smashing into the walls as the road turns and bottlenecks, a house collapsed from the pressure. The flow instantly eliminated the children’s playground before smashing into the bridge of the train station, burying the tracks and filling the second story tunnels with debris. The concrete and iron was no match for the fury of the landslide. It continued on, barreling down Via Roma, engulfing every business along the way, sparing nothing and no one”.   -Nicole

The mud engulfed the entire first floor of the town

Obviously, with a town like Vernazza as secluded as it is, it will be a long while before things return to normal—reports I’ve read are saying that nine people have been killed and that it will be some time before electricity, basic services and train connections are restored.  For everyone that has visited the Cinque Terre, its hard to fathom such a disaster in paradise.  My heart goes out to the people of the region.

It makes one pause to reflect on how quickly nature can reclaim her ground…

 

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Mannie Berk of the Rare Wine Co. held a wee little Madeira dinner tonight at Hearth—and by “wee” I mean the “sickest line-up of old wines I’ve ever beheld in person.”

I stood by somewhat slack-jawed as he pulled these incredibly old bottles out of his knapsack like a kid unloads his lunch box and Thermos at the elementary school lunch table.  (I’m going to guess Mannie’s mother didn’t pack him these, though.  And, sadly, my mother never packed me a Madeira over fifty years old…but we’re a frugal family).

Pictured from left to right:  1910 Leacock Sercial Madeira, 1928 Leacock Verdelho Madeira EEL, and the 1898 Henriques & Henriques Boal Solera.

httpvhd://youtu.be/2IRDT_0u9jY

I found this clip today while rifling through the videos from our Europe trip.  Here, we sit in France’s Southern Rhone Valley on the famed hill of Hermitage.

**Wikipedia’s post about the history of the hill:  “According to legend, the Knight Gaspard de Stérimberg returned home wounded in 1224 from the Albigensian Crusade and was given permission by the Queen of France to build a small refuge to recover in, where he remained living as a hermit.

Thus, ‘Hermitage’ came to be.  But what’s important in the wine world is that, here, Syrah reigns and transmits some of the best terroir in the world.  (Just take note of the care taken: each vine is laboriously staked to the ground to survive the fierce winds of the mistral).

And for a mere moment in the blip of time, we sat amongst its vines, giddy and thankful for the privilege.  Gaspard was smiling down on us…

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